Okay, The Morgellon was deinstalled just over a year ago.
I was supposed to have finished the Disembody edit by now.
That didn’t happen, did it?
I’ve barely begun the logging.
What’s the hold up?
I’m not real good at focusing.
Fortunately, being behind schedule and overbudget is an important part of any site specific work for Los Angeles.
What are the current distractions?

On September 7, 2011, 23 Entryways Into My Mind, Portal 7: A Mild Informality entered its second year (P7Y2). Year One (P7Y1) consisted of composing - with the collaboration of Daniel Miller, Moe Bowstern and a handful of others - approximately 365 scores for field recording. P7Y2 is a 365 day field recording extravaganza, wherein I am wearing an audio recorder on me 24/7 for an entire year. Yup, I am recording every sound in my environment for 8,760 consecutive hours. Obvs the project owes as much to Tehching Hsieh as John Cage. These are two artists who informed and inspired me as a teen more than just about any others. Well, The Residents, John Zorn and Current 93 were pretty damn important, too.
Those 8,760 hours of field recordings will make up the material for realizing the 365 compositions. I’ve scheduled five years to actually work on the realization. I did a smaller variation on this idea back in 2000, Une Fleuve Maudit (UFM). UFM took five years to complete. I’m hoping the lessons learned then will allow P7 to move at a headier pace.
You may be reading way too much about P7 on here in the coming year. Or given my lack of regularity at posting here, maybe not…

In November, 23E Studios will be creating an etching in an edition of 23 with Caladium Editions, in Champaign, IL.
Caladium Editions found us through the website. They asked us to create a print, curious as to what an installation-driven art collaborative would create when given a blank page. Currently, Honyo is working on two illustrations for the print. He is integrating images from Erin, Phil, Libby and Jack. The owners of Caladium, Walter and Molly, will also be contributing to the image as members of 23E. The images are proper Penrose tiles (P3), following the rules of tenfold symmetry.

23E just sent off an initial proposal to an arts center in New England. The proposal is for us to design, install and co-manage a sculpture garden.
Um, yeah, audacious and ludicrous we are.
That proposal has absorbed the last several months of my life. It was deeply research intensive as it is a site-specific, community work. I now know more about the turn of the century and industrialization in America in the 19th century than I ever could have imagined was possible.

In August My Daddy Ate My Eyes had a great tour. Documentation of the 6 installations should be complete by month’s end.
On September 25th SleepWalks will launch the first of our monthly research performances.
My Special Porpoise expects to perform in Chicago in mid-November.
And I’m nearly finished mixing the Stowe-Pembleton Project’s third and fourth records.

The garoffice came together today. It is more or less complete. Hoorah!

It features two music spaces. The first is for my Arp Odyssey and X-Station. The X-Station will run Live, as it has for the past couple years. The laptop will fit on the upper shelf between the mixer and Kaoss pad. So awesome. This will probably be my primary composition and rehearsal space. This is where I will work on the SPP and oRSo and My Special Porpoise and SleepWalks and FW? and Kenton Camerata stuff.

The second music station is more focused on My Daddy Ate My Eyes and Copy Lake, bands wherein I don’t use the computer. That station is super old school, with equipment that goes back to my early 90s music days in Carnival De Carnitas and Meow (and Suplex and Pale Ghost and DragKing and oRSo.) It’s all motors and toys and contact mics and bent tape players etc. I really look forward to playing with all that awesome goodness again. And working it into my other rig.

While on the topic ogf music, I worked on SPP4 a bit more today. Remixing Wich-i-tai-to twice. The way Nobu and I mix the SPP records (living on opposite coasts as we do) is a little bizarre. I mix and upload. He listens and calls. We debate, discuss and argue. I make a new mix based on our conversation. And upload it. And then he calls…

About the only other newsworthy 23E/MVM news is that the primary video editing computer, my desktop, was booted up today. It is imperfect. It was a great machine for many years. But ever since I was evicted in November 2007 from the Green Door Studio, it has been unreliable. It won’t run two monitors. It drops external drives. One of the RAID sets has disappeared now (but not one with any valuable data, fortunately.) This makes me sad as I obvs can’t replace this machine and have to log and edit Disembody on it.
Tomorrow, troubleshooting the dual monitors and RAID issues!

But now it’s time for more Vile Dead research. Buffy season 3, a zombie episode entitled, the Zeppo.