Okay, The Morgellon was deinstalled just over a year ago.
I was supposed to have finished the Disembody edit by now.
That didn’t happen, did it?
I’ve barely begun the logging.
What’s the hold up?
I’m not real good at focusing.
Fortunately, being behind schedule and overbudget is an important part of any site specific work for Los Angeles.
What are the current distractions?

On September 7, 2011, 23 Entryways Into My Mind, Portal 7: A Mild Informality entered its second year (P7Y2). Year One (P7Y1) consisted of composing - with the collaboration of Daniel Miller, Moe Bowstern and a handful of others - approximately 365 scores for field recording. P7Y2 is a 365 day field recording extravaganza, wherein I am wearing an audio recorder on me 24/7 for an entire year. Yup, I am recording every sound in my environment for 8,760 consecutive hours. Obvs the project owes as much to Tehching Hsieh as John Cage. These are two artists who informed and inspired me as a teen more than just about any others. Well, The Residents, John Zorn and Current 93 were pretty damn important, too.
Those 8,760 hours of field recordings will make up the material for realizing the 365 compositions. I’ve scheduled five years to actually work on the realization. I did a smaller variation on this idea back in 2000, Une Fleuve Maudit (UFM). UFM took five years to complete. I’m hoping the lessons learned then will allow P7 to move at a headier pace.
You may be reading way too much about P7 on here in the coming year. Or given my lack of regularity at posting here, maybe not…

In November, 23E Studios will be creating an etching in an edition of 23 with Caladium Editions, in Champaign, IL.
Caladium Editions found us through the website. They asked us to create a print, curious as to what an installation-driven art collaborative would create when given a blank page. Currently, Honyo is working on two illustrations for the print. He is integrating images from Erin, Phil, Libby and Jack. The owners of Caladium, Walter and Molly, will also be contributing to the image as members of 23E. The images are proper Penrose tiles (P3), following the rules of tenfold symmetry.

23E just sent off an initial proposal to an arts center in New England. The proposal is for us to design, install and co-manage a sculpture garden.
Um, yeah, audacious and ludicrous we are.
That proposal has absorbed the last several months of my life. It was deeply research intensive as it is a site-specific, community work. I now know more about the turn of the century and industrialization in America in the 19th century than I ever could have imagined was possible.

In August My Daddy Ate My Eyes had a great tour. Documentation of the 6 installations should be complete by month’s end.
On September 25th SleepWalks will launch the first of our monthly research performances.
My Special Porpoise expects to perform in Chicago in mid-November.
And I’m nearly finished mixing the Stowe-Pembleton Project’s third and fourth records.

Yes, another mix of SPP4.

Transferred a couple hundred trip pictures from my phone to my computer. Maybe by the end of June or July I’ll have the data from the past six months organized and uploaded, finally. Maybe not, there’s thousands of photos and hundreds of hours of sound.

Rehearsed for the upcoming Copy Lake/MD*ME tour of Cascadia in July.
And recorded some new cymbal sounds for the CL cassette. Have about an hour of new cymbal experiments to cull through and edit.

But that will have to wait, for my friends Chuck and Barbara called and I’m heading out to Venice now for a bike ride and a BBQ!

OMFG, my life is good!

Another full pass on the fourth SPP record.

And now I’m trying to pick and sequence the tracks for the md*me cassettes and CDs we’ll be taking on tour. Last night I knocked out this rough image for the tee shirts:

It makes Alex uncomfortable. You know, the cliched use of a battered anime sexpot, so tired and sexist. Whatevs.
Also made this one for tee shirts and badges:

No one could have trouble with that. Except Fox’s and Groening’s lawyer’s, of course…

Did some reading on zombies for Vile Dead today, as well. I also updated the 23E Studios site to reflect that we’re in pre-production on VD and post on Disembody.

I started organizing my notes for an article on contemporary art, in particular the work I call Gutteralism.

Finally, I updated vime, and fixed up my laptop to maximize its processing power when playing live.

(the garoffice during SPP4 mixing. I’m finishing the mix on the machine I started it on, my laptop. To facilitate multi-tasking, and avoid moving my crappy speakers from machine to machine, the laptop is setup in front of the desktop. I right hand mouse the desktop and left hand mouse the laptop. I keep notes on the desktop, as well. It’s kind of ludicrous. For my upcoming mixes on other records [oRSo9 and orso9rmx, MSP, MD8ME, SleepWalks, Kenton Camerata, Brother X, My Special Porpoise, ect] I am sticking with the desktop. To that end I just re-installed Live on it. I am abandoning ProTools for mixing. I can’t see launching it unless I need Pitch n Time, at this point. Mixing with Ableton is faboo.)

I’m pleased to say that we’re closing in on the final mixes of the fourth Stowe-Pembleton Project record. A few more good days, like I’ve had this past week, will get it in the can. And then it’s off to Soul Note. We’re pretty confident they’ll pick it up for release as our third release on their label.
But the third SPP record, embarrassingly, is still not mixed. D’oh! Heaven only knows if the label it was originally recorded for will still be interested. Rest assured getting SPP3 mixed is high on my spreadsheet of things to do. Well, item 13 of ~59, anyway. But since some activities exist in overlapping states, it’s higher than 13 might seem to suggest.

Research for Vile Dead continues. Which is to say I’m watching zombie related tv and film, as well as horror and supernatural flicks. I’ve been watching Buffy the Vampire Slayer episodes. This weekend I watched The Hunger (the first 2/3 is awesome. Then it’s downhill into complete, “quick, wrap it up, we’ve used our allotted 70 minutes! Screw linearity, comprehensibility, plot, characters and everything that’s happened in the film thus far, we need a quick ending. Oh hey, could you throw in a twist! Don’t worry about it making sense, this a vampire movie with David Bowie and lesbians, we can’t lose!”) and Hellboy II (Lots of fun to watch with absolutely no promise or pretension to being anything else.) I must admit, I always love the research phase of projects, but VD is particularly enjoyable.

Yesterday 23E Studios hosted a little tea party in the front courtyard of the garoffice. Our overlords, the Nightmare City City Council, were in town and wanted to check up on us. I think we passed the spot inspection. They declared the garoffice very nice, and expressed a strong faith in our ability to be productive in the 23E complex. While here they picked up their tribute for the year, the Nightmare City arcade from the Disembody installation/set. And their outfits from that film for use in future NC ventures.

(This is the courtyard. In the pic it is setup for mixing SPP4. It looked much nicer for the NC3: no computer paraphernalia, just my blue teapot and white cups and saucers.)

You’ll note from this post that the rebuilt desktop is performing fine thus far. I yanked out two internal drives, and hope to replace them soon with much larger drives for the logging and editing of Disembody. That’s one of the first things that came up in my logging strategy session with my father. The other big thing at this stage is establishing the best possible naming system for the clips. And defining parameters based on future uses of the footage. To that end I’ve begun a catalogue and timeline for the footage.

In other Disembody news, the NC3 think they spotted the dumpster from Disembody still residing in an alley in Chinatown where we filled it. The dumpster company has still not carried it away. Why not?
In sad Disembody news, 20th Century Props, where 23E rented theater seats for the Morgellon, is selling off its props and closing its doors. Oh, if only we could buy those seats for future projects! They’re being auctioned off, but A) I’ll be on tour and B) I have no money. So…

Above is some of the messy Copy Lake/My Daddy Ate My Eyes setup for our coming shows (and hopefully tour) in July. I’m mixing a MD8ME demo today. And rehearsing for the shows every day for the next many weeks. Also working on new material for Forever What?. We hope to rehearse in August in preparation for shows in Fall. With luck we’ll start gigging out semi-reguarly here in LA starting in September.